About the Author: Richard Hallows is published in both print and digital magazines and his work has been translated into Japanese, Arabic, and Polish.
“So, did anything happen while I was out?”
I put my bag down on the glass counter, beneath which were displayed items of uncertain value and unreliable provenance. I told everyone it was the nature of the antiques business that the buyer should beware. I even had ‘Caveat Emptor’ engraved above the front door, and a sign as you walked in that said ‘Buyer Beware.’ Not all of our customers spoke Latin.
Jonathan smiled as he carried a mug of coffee.
“We had a painting brought in.”
I groaned inwardly, partly at how pleased he was with a random painting, and partly because he was slopping coffee over an oriental rug, which even though it was a poor quality fake, was unlikely to be enhanced by coffee stains.
“You know I hate art,” I said.
“I know,” said Jonathan. “Too easy to trace; too specific a market.”
Surprisingly he had learned something.
“I also had a very unpleasant experience with a fake Lowry a few years ago. Nearly resulted in me spending time at Her Majesty’s pleasure.”
“You told me,” said Jonathan.
“So, exactly which part of your brain thought it would be a good idea to take it?”
“The woman who brought it in said you would be interested.”
“What woman?”
“She wouldn’t leave a name.”
“But she would leave a painting? That didn’t seem strange to you?”